Lead single, Knots, is an upbeat spiraling build to a thumping good hoe-down. ‘Passenger’ is for the most part the soundtrack to a songstress revelling in her moment. At is best, it’s determined, unafraid and confident in its own power. Yet, there are moments when this confidence falters and it edges towards formulaic Irish balladry.
The songs never feel laboured. There’s that old cliché of great talents making things seem effortless and that is exactly what Hannigan has done with this album. There are some resemblances to Cathy Davey. However, Lisa Hannigan veers more towards folk than her contemporary.
It is on the song O Sleep that Passenger is the most obvious moment where Hannigan elevates herself above the rest of the musical pack. The combination of Hannigan, Ray La Montagne and this dazed ode to the chief nourisher in life’s feast works exceptionally well. Safe Travels (Don’t Die) is also a highlight of the album. It is a tale of caution which shows off her wit. ‘Don’t swallow bleach out on Sandymount Beach,’ is just some of the sage advice on offer. A Sail is less remarkable and sags under the weight of excessive banjo playing in the final section. What’ll I Do, plays heartbreak off against a decidedly upbeat melody.
‘Passenger’ will win her many more fans and continue the rise of this talented Irish performer. When Hannigan is good she strikes it at a rate that would beat any of her peers hands-down but there seems to be some reticence to challenge herself on some of this album. It suffers as a result. ‘Passenger’ has earned Lisa Hannigan a nomination for the Choice Music Prize and while the nomination is deserved, it’s hard to determine whether the album has the overall consistency to top the poll.
Gillian Middleton
